AME and BaconJam present: Lovely Stringy Event

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22nd October
19:30pm –
As a part of Made in Huddersfield 03, BaconJam & AME present: an evening of experimental sounds from three internationally acclaimed musicians performing composed and improvised music.

Programme:
Endless Overtones in Relational Space by Morgan Evans-Weiler
for violin & electronics

Unfinished Variations (for Jed Speare) by Morgan Evans-Weiler
for violin & electronics

Scott Mc Laughlin
cello & electronics

Twelve Times by Core of the Coalman (Jorge Boehringer)
for viola, percussion & electronics

Descent from the High Arches with the Bog Chorus by Core of the Coalman
for woodblocks & electronics
………………………………………………….
This event will be held at Cafe Ollo, The Media Centre, Huddersfield.
Doors £3

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BIOGRAPHY
Morgan Evans-Weiler is a Boston based artist and educator whose work ranges from composition and sound installation to drawing, video and design. Exploring the realms of contingency and environment, Evans-Weiler’s works examine the process of change and the inherent creativity that exists as a precondition of our physical and temporal experience. He uses objects, psychoacoustic phenomena, stasis, stillness and our sense of place as compositional material to explore our environmental experience of space and time. He has collaborated and performed with Seth Cluett, Sarah Hennies, Mike Bullock, Dave Gross, Bhob Rainey, Dafne Vincent-Sandoval, Jed Speare and many others. He is director of the New England based ensemble ‘Ordinary Affects’ whom have performed works by Jurg Frey, Magnus Granberg and premiered works by Antoine Beuger and Michael Pisaro. His recent album ‘Violin/Sine’ was called ‘transfixing’ by writer Steve Smith and included in the Boston Globe’s list of ‘Best Local Classical Albums of 2015’.

Scott Mc Laughlin is a composer and improviser based in Huddersfield, UK. Born in Ireland (Co. Clare) in 1975. He lectures in composition and music technology at the University of Leeds. His research focuses on contingency and indeterminacy in the physical materiality of sound and performance, combining approaches from spectral music and experimental music with dynamical systems theory to explore autopoiesis and recursive feedback systems in constraint-based open-form composition. His debut CD “There are neither wholes nor parts” was recently released on Ergodos Records.